Page 26 - DT Vol 13 No 2

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26 cosmetic section DENTAL TECHNOLOGY, APRIL-JUNE 2023

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F FIG 40: The side bands were marked with a black pencil, the middle bands with a pencil red F FIG 41: Incisal view of the restoration before finishing

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F FIG 42: Shape and texture were processed with a fine F FIG 43: Next, the shape and texture were finalized with a F FIG 44: The result immediately after finishing with rotary
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diamond bur tungsten bur instruments
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F FIG 45: A gold texture marker was used to visually highlight the F FIG 46: After polishing, the natural shape and texture became F FIG 47: The restoration looked very natural and highly aesthetic

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surface structure visible on the model

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F FIG 48: The restoration on 21 harmonizes perfectly with the natural teeth and displays a vivid F FIG 49: Even in a dry clinical situation, it is impossible to see which tooth has been crowned
play of shade and light
About the author
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S Show Yamamoto earned a bachelor’s degree from Ehime Public Healthcare Prefectural University in 1980. In 2001 he founded the Voce Ceramist Club, and in 2006
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the Voce Ceramist Club Claymore. He has been a member of Art & Experience founded by Claude Sieber since 2006. He then opened Art & Experience BER in 2007
and in the same year, he became a Camlog Certified Instructor. His workshop has been a Vita MasterLab since 2007. In 2008 he became an ambassador for Bego
Crown & Bridge and in 2009, he became a certified instructor at the Japan Academy of Esthetic Dentistry. He has been an international speaker for Vita
Zahnfabrik since 2013 and an active member of the International Academy for Digital Dentistry since 2008.