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interview















                                                                                Lifelike


                                                                       Environment



                                                                       For Vita MFt:



                                                                                     the


                                                                       Mucogingival


                                                                       Art Gallery Of



                                                                     Boris Jovanovic












              Boris Jovanovic (Belgrade, Serbia) was satisfied with the lifelike nature of VITA MFT prefabricated teeth, but he did not like the way the
            denture base looked. For this reason, he was interested in learning everything about the different types of mucogingival anatomy, so he could
            reproduce it naturally in his partial and full denture work. He analyzed countless intraoral photographs to internalize the anatomical features
              and also studied a large amount of professional literature to explore the anatomical structure from the inside out. He then experimented
             for years in order to transform his findings into wax. Today he has developed his own procedure for quickly and accurately creating the red
              esthetics in wax. To do this, he works with instruments which he has modified to meet his needs. In the following interview, he gives rare
                             insights into his art and explains why the VITA MFT fits his mucogingival reproductions so well.

















           Fig 1a: Even the modeling is a work of art that  Fig 1b: The palatal anatomy is also reproduced  Fig 1c: After the implementation in resin, the
           reproduces the natural anatomy.      in detail in wax.                   palatal anatomy appears true to life.
           48  Dental Practice i March-April 2024 i Vol 20 No 2
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